In the last posts, I discuss Seven Ways To Add Subplot To Your Story and Four Ways to Build Suspense in Your Novel.
The most common way authors explore subplot and build tension is through multiple points of view. Multiple viewpoints can build the suspense for the protagonist, for example, in Lord of the Rings – The Two Towers. Having Merry and Pippin encounter the Ent in the Fangorn forest and deal with the source of Sauron’s army whilst Aragon, Legolas and Gimli are cornered in Helm’s deep with the people of Rohan, add pressure for Frodo and Sam to make it Mordor and destroy the ring.
Each point of view of the story should have a unique voice. Below are four exercises to challenge yourself and explore new ways to think about your point of view writing.
When we think about our favorite novels, the stories that stand out in our memories, voice plays a key role. Much like masterful use of detail, setting, and point of view, voice helps pull readers into your story and put them inside your narrator’s head.
Are you writing multiple point of views in your novel?
In fiction, you create a new voice every time you create a new character. On the page, your point-of-view (POV) character may read nothing like you. This requires you to get to know these characters on a deeper level — to get out of your head and into theirs. Without an authentic voice, readers will struggle to connect to your character.
1. Read novels written from multiple POVs.
When you write from multiple POVs, each character needs to feel different on the page. Many books label sections with character names to let the reader know who’s talking, but those titles should feel almost unnecessary.
As you read, think about how the author differentiates between characters. Do they do it successfully, or do you find yourself paging back to remind yourself who’s point of view you’re in? Look at the language, sentence structure, and tone. What makes one character’s voice noticeably different from another’s? The more you read, the more you’ll prime your brain to think about these differences.
2. Write the same scene from multiple POVs.
Even if you aren’t using multiple POVs in your story, pick a scene to write from a variety of angles. How would each character in the scene speak about what’s happening?
Remember also that voice and point of view are related, but not synonymous.
Point of view focuses on what the character knows, sees, thinks, or notices. Voice is more abstract: it’s how the narrator speaks, the tone and style with which you write a character onto the page.
3. Write a journal entry from another character’s perspective.
If you find yourself stuck on a scene or a turning point in your story, try writing something that will never make it into the finished product. Explore a character’s voice by writing a diary entry about the scene. Our journals are the place where our voice comes through completely unfiltered. Give your characters this opportunity and you may be surprised at what you learn about their personalities.
4. Write from the POV of an unlikable character, or someone very different from yourself.
In some ways, all our characters are pieces of us. They give us a place to play make-believe, to inhabit alternate selves and explore hidden identities. However, it’s easy for all those characters to start sounding the same on the page. To give yourself a real challenge, write from the perspective of a character who’s not like you at all. Create a main character who’s not even particularly likable. Let a new voice shine through and watch how the words on the page change.
Voice can be hard to define, but it determines how the words feel on the page. Tone, language, and style combine to form a unique voice, one that reveals the narrator’s age, personality, and much more.
Of course, the most important thing you can do is keep writing. When you first start drafting a new story, your characters may feel like strangers. As you write and rewrite their stories, their voices will begin to shine through.
I hope this helps and if you have any concerns and more questions, ask me below. If you think someone has an interesting point of view and answer, please invite them or share this post with them.
14 thoughts on “Four Ways to Explore Multiple Point of Views”
Reblogged this on Chris The Story Reading Ape's Blog.
I really appreciate you sharing my work 😃 It makes me so happy to see my ideas are helping other writers and reaching a wider audience.
Thank you 😊
Thank YOU for posting these tips, Douglas 😃
It’s my pleasure, I’m glad people are reading and learning from them 😃
Nice exercises. Thanks!
I thought I’d try some exercises this post and I’m glad you like them!
Good luck with your writing 😃
A most helpful post. Thank you.
Thank you and I hope it helps your writing 😊
I’ve reviewed other writer’s work and suggested the story be written from another POV. Sometimes it’s a shock, but also often the shock the author needs to really make their story shine.
A different perspective can show an alternative path 😃
Excellent suggestions! People may not think to explore their characters’ voices outside of their main story. These exercises can broaden the writer’s perspective and improve the quality of their work.
Thank you! I hope these exercises help you and your stories 😃
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